-
ARCHITECTURAL
COMPOSITION/ THE POLITICS OF REGIMENTATION (1970)
-
HYPERBOLICSYLLABICSESQUIDALLYMYSTIC
TAILOR (1971)~
-
IL PARADIGMA
PROIBITO: INSPIRATION AND THE AVANTE-GUARDE (1973)~
-
GNOSIS,
THE BARDO, AND THE MILAN CATHEDRAL (1974)*
-
NEGATION
OF MEANING IN THE VISUAL ARTS (1974)*
-
PSYCHOANALYSIS
OF FREEHAND CURVES (1975)*
-
CONATIVE
SIGNS IN THE ARCHITECURE OF HANS SCHAROUN (1975)*
-
ON LINES
(1976)~
-
ON SHAPES--
THE APPARENT AUTOCRACY OF EUCLIDIAN/PYTHAGOREAN ICONOLOGY
(1977)~
-
POETIC
CONSTRUCTS AND THE LANGUAGE OFARCHITECTURE (1978)~
-
THE
BLOOMING OF SPACE AND THE THEORIES OF PROPORTIONS (1982)~
-
ARCHITECTURAL
RHYTHMS NOT FOR ALL (1983)*
-
THE
SIGNIFICANT TRACE: LINES AND MEANING IN ARCHITECTURE (1985)*
-
THE
TYRANNY OF THE LINE AND THE SPACE IT INFORMS (1987)*
-
THE
WORKING DRAWING: THE SEMIOTIC OF GRACE (1987)
-
THE
POETICS OF RISE AND RUN OF SPACE: READING CORMIER'S SUPREME COURT
OF CANADA BUILDING (1988)*
-
BRAMANTE:
THE COMPLETE CELEBRATION OF BEAUTY (1992)~
-
THE
"METAPHORICAL": THE CONSTRICTION OF CONTEMPORARY ARCHITECTURAL THOUGHT
(1992)*
-
ARCHITETTURA
EVICTED/OUR DEVELOPER AS FLAT-MATE (1992)*
-
SYMMETRY/BEAT
(1992)*
-
VISUAL
TENSION AND DYNAMIC BALLANCE: LOVE IN THE EYE (1992)*
-
THE
MOST BEAUTIFUL HOUSE IN THE WORLD: BACHELARD, BRUNO, PALLADIO (1993)~
-
GIORDANO
BRUNO AND THE THEORY OF THRESHOLDS (1993)*
-
RHETORICAL
LANDSCAPING FROM DANIELE BARBARO TO ROBERT GRAVES (1993)*
-
DYNAMIC
PROFILES: DELINEATING APPERCEPTIONS IN THE THIRD DIMENSION (1993)~
-
THE
TOWER OF WINDS AND AEOLEUS' CAVE: EXEGESIS OF VITRUVIAN POETICS (
1994)
-
COLOUR:
THE MOMENTARY INHABITATION OF THE REAL (1996)*
-
IL PORTONE:
ARCHITECTURE'S AESTHETIC MORPHOLOGY (1997)
-
ARCHITETTURE
ANTICHE: REIFICATION OF FANCY (1997)*
-
GRAPHITE,
INK, ELECTRON: THE MATURATION OF THE ARCHITECT'S HAND (1998)*
-
LONELINESS
OF THE HYPOTENUSE; POPULARITY OF THE EVOLUTE (1998)*
-
IL GEOMETRA:
IDEALITY IN THE SANITORIUM OF THE REAL (1999)~
-
TRANSMETAMORPHOSIS
OF CIRCINUS: STUDIES IN DEEP-TECH (1999)*
-
ON LINES
AND ARCHITECTURE (1999)~
-
THE
FLACID LINE: MINIMALISM & CONTEMPORARY CANADIAN ARCHITECTURE (1999)*
-
SYNDERESIS
AND THE HINTONBURG ARCHIPELAGO (2000)*
-
PER
BARCHEGIAR SUL MUSON: LIBRO SEGRETO DELLA MOTIVAZIONE ARTISTICA
(2000)
-
IL PARADIGMA
OFFUSCATO: THE SECULARIZATION OF AESTHETICS (2000)
-
PENELOPE:
THE CRISIS OF CONTEMPORARY ARCHITECTURAL PRACTICE (2000)
-
ARIADNE'S
LOOM: WRITINGS OF ALIAS ARTISTA (2000)
-
THE
BOW: AN UPANISHAD FOR THE EVERDAY ARCHITECT (2000)
-
SEMELE:
ARTISTIC DETACHMENT (2000)
-
BEING
IN NUMBER: THE ARCHITECTURAL TRANS-AVANTE-GUARDE (2000)
-
ZOEMETRY:
THE LOOM OF ARCHITECTURE
-
A SPARROW
DESCENDS INTO A RHOMBIC GARDEN: RETHINKING,IN VERBIS, IN
HERBIS,
IN LAPIDIBUS, LANDSCAPE ARCHITECTURE IN THE INNER-CITY (2001)~
-
AESTHETIC
NIHILISM AND THE NARRATIVE PAINTINGS OF JANA CHARRON (2001)*
-
HODIERN
WRITINGS OF STONE: CARLO MADERNO/LUDWIG MIES VAN DER ROHE (2002)~
-
PSYCHOANALYTICAL
UNDERSTANDING OF THE ANTAGONISM BETWEEN THE HANDRAIL AND THE STEP AND
THE
MEDIATIVE PRESENCE OF THE BALUSTER: A CONCISE HISTORY OF ITS ALLEGORY
AND
ITS REPRESENTATION IN THE ARTS (2002)
-
CONCINNITAS
DECEDERE URBIS - THE ARCHITECTONIC SEDATIVE AND ALBERTINIAN BUCOLICS:
ESCAPE
FROM CITY-PRISON (2002)*
-
EKISTICAL
ANTIANGIOGENESIS: THE ALCHEMICAL WEDDING OF URBAN PLANNING WITH URBAN
DESIGN
(2002)*
-
DE CIVITATE
DEI & LEVIATHAN: THE HUMAN ARCHITECTURAL CONDITION VERSUS THE
FORGINGS OF OTTAWA'S NEW OFFICIAL PLAN (2002)*
-
PASSIVELY
DIVINING THE PHENOMENON OF THE ALFA ROMEO, THE OMEGA CHRONOGRAPH AFTER
A TALL HARD CHARDONNAY IN A GARDEN IN THE HODOLOGICALLY UNFOLDED
METROPOLITAN
MILIEU: A POST BOLLNOWAN EXEGESIS OF ARCHITECTURAL BLISS (2002)
-
"STASIS"
IN MORPHOLOGICAL INTERPRETATION OF ROCOCO ARCHITECTURE(~2002)
- IN THE NAME OF THE FATHER, THE SON, AND THE TUTELARY SPIRIT...A WOLD WITHOUT ART... AMEN (*2007)
- FILARETE & THE PRANCING STALION: THE PRACTISE OF ARCHITECTURE (*2010)
- DIFUSION: LYMP SYMBIOSIS IN CROSS-DISCIPINED INTERACTIONS (~ 2010)
- "DELIRIOUS PROFESSIONS, UPDATE" ... ADDENDUM TO P. VALERY'S CATEGORY (*2010)
- THE SLIVERED SPLITER HANDLE: OF ARCHITECTS AND OF ARCHITECTS (2010)
- MARIO GALVAGNI & "ECOLOGY OF FORM", ITS SIGNIFICANCE IN THE PLASTIC ARTS AND ARCHITECTURAL COMPOSITION (~2011)
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