"I am he who conceives what you desire a trifle more exactly than you do yourselves; I shall consume your treasures with a little more consistency and genius than you consume them; and without a doubt I shall cost you dearly; but in the end everyone will have gained. I shall make mistakes sometimes, and we shall have some ruins; but one can always very profitably look upon a work that has failed as a way which brings us nearer to the most beautiful. ... Stones and forces, outlines and masses, lights and shadows, artificial goupings, the illusion of perspective and the realities of gravity, all these are the objects of the commerce of my body and intelligence; and may the profit of this commerce finally be that incorruptible wealth which I name Perfection"

...from : "Eupalinos, or the Architect", in, Selected Writings of Paul Valéry, pg. 165/182, ed. New Directions Publishing Corp, N.Y.,1964, 13th printing,

 

 

services/ crafting since 1968

architecture

• site acquisition studies
• feasibility studies
• zoning requirements
• facility programming
• site layout & design
• code requirements
• architectural design
• engineering co-ordination
• life-cycle costing
• building envelope studies
• contract documents
• specifications
• tender process assistance
• inspection & administration

interior design

• programming requirements
• problem analysis
• function relationship studies
• fashion-trend analysis
• virtual reality modeling
• colour & finishs selection
• furnishing planning, selection
• specifications
• tender process assistance
• co-ordination of trades

project management

• programming
• cost control
• projects cheduling
• consultant co-ordination
• site inspections & administration
• commissioning
• construction management
• facilities management
• building condition reports
• code compliance studies
• energy studies
• leasing studies
• financial feasibility
• due diligence reviews
• systems commissioning

deontology
It is thought that in the multidisciplinary method of "making" or "doing" (t¡ktvn, Plat. Phaedrus 245a),  architecturing is that encompassing influence over "mature ideating" (Alberto Perez-Gomez) which substantiates the protraction of "historical consciousness" (Lawrence Durrell; Paolo Portoghesi) by its elucidating on the "observable" (Paul Strand) juxtapositions of the primary geographical constructs, the "ordinariness and light" (Alison & Peter Smithson), of any "Place" (C. Norberg-Schultz).  Because the doing is "grounded on ethical and qualitative principles pertaining to the aesthetical" (Benedeto Croce), and being that it contributes to a large extent in determining and "geometricising" (Giordano Bruno) the "artificial conditions of our lives" (Allen Ginsberg), its architecturalizing motives stand antithetical to any commercial commodification regulated solely by quantitative and personal transactional criteria.  Thus, an architectonically inspiring work outlives its ideator, its constructor, its proprietor, its first user:  "motivated to reify public interests, it constitutes the patrimony of each and every community" (Louis Kahn).  Moreover, the tutelage of these public interests, as one of the principal burdens of  professional work, establishes the ethical underpinning of the architector.  Consequently, "architects view doing as the thoughtful making" (Frank C. Carter), the"poeticising" (A.C. Antoniades) of the built environment... "poiein", according to Plato, being not  the premise but rather the ethical necessity of any commitment to artistic doing.

methodology
Thoughtful making combines cerebral and physical activity, theory and practice, the core of any discipline (F. C. Carter).  For our firm the quality of one's ideas and the sensibilities of one's actions are central to the making of better buildings. We hold that a building is first a geometric artifact and, that "by one's encountering and discovering of it" (Jorge Luis Borges) through an inhabitation  which seeks to move beyond the scope of consumption and fashion toward a range of "artistic experience" (Adrian Stokes), it predicates that "personal" psycho-physical speculation and aesthetic implication emoting that human apperceptual (Thomas Monroe) period (transcendental moment (Allan Watts, Mies Van der Rohe)) called, architecture. A building that is both instrument and symbol affined to that " learned, correct, and magnificent game of volumes assembled under light" (LeCorbusier) holds the potential to fulfill our personal bio-socio-cultural adaptations (Yehudi.A. Cohen): one that is limited to supply functional/economic considerations holds little probability of stirring one's soul (Carter/Corbu.).   

Our firm's approach to making buildings involves both the pragmatic and the artistic. Our use of telecommunications, computers, management systems and consultants providea sound basis for production work but it is the spirit of artistic inquiry, the search for excellence, the teamwork, and the will to build which really energize the work of our office. The ongoing exploration of critical issues currently challenging contemporary architecture fuels much of the debate around projects: the rationalization of the ideal and the real; the transformation of intentions into realization; the role of convention and invention; the reciprocity between monument and fabric, public and private, the individualand the collective; the possibilities in permanence and impermanence, the static and the dynamic; and the challenge of growth and change. Our firm abhors making which leads to disposable and inconsequential objects infavor of thoughtful making which is experiential and leads to tangible ideals, cultural grounding and enduring essence.

Because we have QUALIFIED experience in working for private and public entities both here and abroad.

Because we follow alongside our client from the IDEA through to its REALISATION.

Because we are experienced in both NEW, RENOVATION, RESTORATION, and HISTORICAL RESTORATION work for Private , Civil, Provincial and Federal sectors.

Because the studying and applying of the latest TECHNIQUES and TECHNOLOGIES for ideating and for construction is a continual part of our personal development as artists-in-doing.

Because we are used to working with Project Managers and Public Administrators and therefore know the importance of staying within an allocated BUDGET.

Because with us you have an ARCHITECT who is always there for you, immediately ACCESSABLE, a single reference point from the beginning to end.

Because YOUR project with us will be UNIQUE and UNREPEATABLE.

Because, ..."Architecture, like any living intelligence, is born only from a father and one MOTHER , and for Architecture, the mother is the architect" (Filarete)... , and of course, the FATHER is actually YOU.

praxiology
The Architect's Workshop has tuned its modus-operandi to fully adapt to Building Information Modeling (BIM) in order to professionally craft in a more "enjoyable" manner.

This, is in keeping with a widespread avant-garde modality shift occurring across the building industry  that predicates "rethinking", within the contemporary practice of Architecture, so that the latter may respond to three formidable forces of adaptation pressuring the building industry:

    * a business and legal framework that supports the collaborative process;
    * a medium of information exchange which has obliterated time/space restrictions;
    * the availability of affordable, advanced, contemporary tools which: allow the architect to draw and paint and sculpt in a condition of electronic virtuality, therein forming architectural models from various abstract and technical knowledge bases; to auto generate, through extrapolation from those models, information (documents (instruments) of construction) of  significant high quality and astounding accountability.

BIM introduces a novel and more effective approach to architectural team-work and professional practice. The drudgery of lifeless two dimensional recording of technical knowledge, the frustration caused by mindless repetitive detailing of minutia of dull instructions, the boredom of activities  associated with the co-ordination of documents and schedules, the guilt of seeing highly intelligent and creative minds wasting away in drafting chores, of precious beings being transformed into draftspersons... these are thoroughly eliminated, and so leave the furtive minds to busy themselves with "focusing": on deeper thought processes and creativity; in the science of building and the art of making; on the poetics of complexity and the ecology of form; on the blissfuly artistic..

Moved by the need to improve the quality of buildings, and to reduce the costs of creating and maintaining them, building owners, architectural teams, contractors, and facility managers are seeking ways to collaborate and share information more fluidly.   BIM accomplishes this by building a computer “model” of a facility through knowledge contributed by each of these participants, and, makes feedback seamlessly available to them through various "specialized" media.

For the architect, beginning in schematic planning, a single, multi-purpose computer model is formed to help make decisions and project their implications; the model is used to record programmatic data, define the building, analyze costs and energy performance, and serve many other kinds of useful purposes. Simultaneously, the BIM software organizes the knowledge base into conventional drawings, such as plans and 3D renderings, sections, elevations, schedules, and, automatically structures the layout and management of all items required to complete a set of construction drawings.  In this way, the information needed for communication by and amongst the larger team, for obtaining  permits, and for the myriad of other demands, is always accurately updated at every stage of the decision making and scheduled delivery process.

Moreover, during the development of the architectural composition and the generation of construction documents, the model is further refined so that the structure, mechanical systems, and other components are correctly applied to it.  In this way, all of the building elements are precisely co-ordinated and constructional issues are resolved before they can surface as real world costly errors. Ultimately, this one model provides both the instruments of construction, and a useful visualizing tool to the building team. Throughout the entire process, accurate information is readily available and changeable,  optimized,  communication is clear, noiseless, and timely, and all decisions are more effectively and accurately accounted for.

The Architect's Workshop uses the most recent version of the most powerful of the BIM software presently available as its primary BIM architectural tool set: Revit Architecture as the central BIM component with the Revit Structural and Revit MEP and CostX as engineering and quantity surveying extensions.  3ds Max Design, Lightwave, Combustion,  Poser, and Corel Painter are used as artistic extenders; Architectural Desktop, Autocad, and WiseImage to handle legacy CAD files and archived documents. Special applications for energy analysis, presentation documents, database management, specifications writing, project management and other purposes are all integrated with the BIM system.

The Architect's Workshop's BIM approach manipulated by brilliant, talented, and seasoned architects utilizing state-of-the-art computer hardware and software makes this Architectural practice a leader in the use of advanced architectural electronic technology in Ottawa and its surroundings, and as such, that so much more artistically/technically delivery-capable.